نوع مقاله : مقاله پژوهشی
نویسندگان
1 مدرس مدعو،دانشگاه تهران، تهران، ایران
2 استادیار گروه زبان و ادبیات عربی، دانشگاه بینالمللی امام خمینی (ره)، قزوین، ایران
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
The Audible Music of poetry, called the aesthetics of poetry is the first and greatest magical factor in poetry, which attracts its audiences. In this research, the music of poetry in the sonnets of Kamal Khojandi, one of poets of 8th century is evaluated and the musical values of the poetry are processed from different angles in a descriptive- analytical way. Kamal Khujand, a contemporary poet of Hafez, in his external music, mostly used the well-known and widely used bahrha and their zehafats in persian poetry and he mostly used smooth and clear and long metres, the alternating and repeatable weight has not been well received in his sonnets. 64 percent of Kamal sonnets have row. 39 percent of his poems has been sung in different weight of bahre ramal. In the side music, he has used appropriate and heartwarming rhymes and rows and the words of rhyme and rows in the poem of this poet mostly ended to stretched syllables that provides posiblity of stretch on the end words and make more beauty in letter music, and has revealed the perfection in the cases. In the inner music, he has revealed the inner listening music in a pleasant way by using the original verbal arrays. In some cases, kamal has guaranted a verse or stanza of the poetry of Saadi and Hafez. Kamal's personal style has both a link with hafez and a link with saadi.The Audible music of Kamal Khojandi's sonnets has beautiful features in defferent angles.
کلیدواژهها [English]
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