تحلیل تقابل‌های نمادین در حکایت‌های باب ششم بوستان سعدی با تکیه بر آرای رولان بارت

نوع مقاله : مقاله پژوهشی

نویسندگان

1 دانشجوی گروه زبان و ادبیات فارسی دانشگاه پیام نور، تهران، ایران.

2 دانشیار گروه زبان و ادبیات فارسی دانشگاه پیام نور، تهران، ایران.

3 استاد گروه زبان و ادبیات فارسی، دانشکده ادبیات و زبانهای خارجی، دانشگاه علامه طباطبایی، تهران، ایران.

چکیده

رولان بارت، نشانه‌شناس برجستۀ فرانسوی، با طرح نظام پنج‌گانۀ رمزگان‌ها (کنشی، هرمنوتیکی، نمادین، فرهنگی و معنایی) الگویی از خوانش متن ارائه می‌دهد که در آن معنا نه از نیّت مؤلف، بلکه از برهم‌کنش لایه‌های نشانه‌ای و مشارکت فعال خواننده پدید می‌آید. در نسبت با بوستان سعدی، به‌ویژه باب ششم (قناعت)، می‌توان نشان داد که سعدی قرن‌ها پیش از صورت‌بندی نظری ساختارگرایی، متنی گشوده و چندلایه آفریده است؛ متنی که در آن اخلاق در فرآیند گفت‌وگوی نشانه‌ها شکل می‌گیرد. تقابل‌هایی چون فقر/غنا، عزت/حرص، عقل/نفس و جسم/روح در این باب، اخلاق را در سطح زبان و ساختار بازنمایی می‌کنند و قناعت را به‌مثابه کنشی دلالتی برای رهایی از سلطۀ میل معنا می‌بخشند. هدف این پژوهش، واکاوی سازوکار تولید معنا از رهگذر رمزگان‌های بارت در باب قناعت و تبیین پیوند میان اخلاق و زبان در بوستان است. روش تحقیق، توصیفی ـ تحلیلی و مبتنی بر الگوی نشانه‌شناسی بارت بوده و شبکه‌ای از تقابل‌های معنایی این باب با رمزگان‌های پنج‌گانۀ او تطبیق داده شده است. نتایج نشان می‌دهد باب ششم بوستان واجد نظمی معنایی ـ فلسفی در تولید معناست که در آن قناعت، مسیر معنا را از میل و خواست به سوی تأمّل و رهایی هدایت می‌کند؛ ازاین‌رو، بوستان سعدی را می‌توان نمونه‌ای شاخص از «اخلاق زبانی» در ادبیات کلاسیک فارسی دانست که پیشاپیش منطق متنِ باز و زایش معنا در اندیشۀ بارت را نمایان می‌سازد.

کلیدواژه‌ها

موضوعات


عنوان مقاله [English]

Analysis of Symbolic Oppositions in the Tales of Chapter Six of Saadi's Būstān, Based on the Views of Roland Barthes

نویسندگان [English]

  • Ibrahim Rafiee 1
  • Narges MohammadiBadr 2
  • Behnaz Payamani 2
  • Ayoob Moradi 3
1 PhD student in the Department of Persian Language and Literature, Payame Noor University, Tehran, Iran.
2 Assistant Professor, Department of Persian Language and Literature, Payame Noor University, Tehran, Iran.
3 Professor, Department of Persian Language and Literature, Faculty Persian and Foreign Literature, Allameh Tabataba'i University, Tehran. Iran.
چکیده [English]

Roland Barthes, the prominent French semiotician, by proposing a fivefold system of codes (proairetic, hermeneutic, symbolic, cultural, and semantic), offers a model of textual reading, in which meaning emerges not from the author’s intention but from the interaction of signifying layers and the active participation of the reader. With regard to Saʿdi’s Bustan, particularly Chapter Six (Contentment), it can be argued that Saʿdi created an open and multilayered text centuries before the theoretical formulation of structuralism; a text in which ethics takes shape through the dialogue among signs. Oppositions such as poverty/wealth, dignity/greed, reason/self, and body/soul reconstruct ethics at the level of language and structure, endowing contentment with the function of a signifying act that leads to liberation from the domination of desire. The aim of this study is to examine the mechanisms of meaning production through Barthes’s codes in the chapter on contentment and to elucidate the relationship between ethics and language in the Bustan. The research adopts a descriptive–analytical method based on Barthes’s semiotic model, in which a network of semantic oppositions in the chapter on contentment is mapped onto his five codes. The findings indicate that Chapter Six of the Bustan constitutes a philosophical system of meaning production, in which contentment redirects meaning from desire and appetite toward reflection and liberation. Accordingly, Saʿdi’s Būstān can be regarded as a prominent example of “linguistic ethics” in classical Persian literature, one that anticipates Barthes’s notion of the open text and the generative production of meaning.
Introduction
In Roland Barthes’ structuralist theory, codes constitute the central core of semiotic textual analysis. By critiquing traditional meaning-centered and author-centered approaches, Barthes regards the text not as a carrier of a pre-determined meaning, but as a dynamic network of signifying systems in which meaning is produced internally through the interaction of codes. Rooted in Saussurean linguistics and Lévi-Straussian structural anthropology, this perspective transforms the literary text into a field of play for signs, binary oppositions, and cultural references, thereby enabling a systematic and analytical description of narrative structure.
Barthes introduces a fivefold system of codes: the hermeneutic code, which is based on mystery, questioning, and the suspension of meaning, and propels the act of reading; the proairetic (actional) code, which organizes the logic of events as well as ethical or narrative actions; the symbolic code, formed through binary oppositions and responsible for constructing the deep semantic layer of the text; the cultural code, which structures references to shared knowledge, religious beliefs, mythological concepts, and social conventions;  and the semantic code, which activates networks of lexical associations and secondary connotations at the level of language. Within this framework, didactic works such as Saʿdi’s Būstān are not merely collections of direct moral exhortations, but multilayered systems of codes in which ethics is generated through actions, symbolic oppositions, narrative suspensions, and cultural memory. Meaning in such texts is neither linear nor fixed; rather, it emerges from the tension and coexistence of codes and is continuously reproduced in the process of reading. Ultimately, Barthes conceives the text as an “open network”, where the reader, instead of passively receiving meaning, actively participates in decoding and producing it. From this perspective, ethics itself is not a static doctrine but a semiotic and cultural discourse, constantly in the process of becoming and reinterpretation.
Method
This study adopts a descriptive–analytical approach grounded in semiotic textual analysis. Its theoretical framework is based on Roland Barthes’ five-code system and the analysis of symbolic oppositions. The research data consist of the text of Chapter Six of Saʿdi’s Būstān examined through a text-centered and library-based methodology.
Results
Saʿdi’s Būstān is an ethical–didactic text that, across its ten chapters, presents an ideal image of the “perfect human being” and guides the reader toward moral and social virtues through anecdotes, parables, and value-based oppositions. Among these chapters, Chapter Six (Contentment) occupies a distinctive position, as it shifts attention away from the external dimensions of ethics (such as justice, beneficence, and power) toward a re-examination of the human relationship with desire, the body, need, and satisfaction, thereby formulating ethics at an existential and epistemological level. From a Barthesian structural-semiotic perspective, Chapter Six constitutes a polyphonic and dynamic system of signs, in which meaning is produced not through explicit moral judgments but through the interaction of symbolic, hermeneutic, cultural, proairetic, and semantic codes. The semantic core of this chapter is structured around binary oppositions such as contentment/greed, honor/humiliation, reason/desire, spirit/body, poverty/wealth, and independence/bondage. These are oppositions that function as the primary engines of meaning production within Barthes’ symbolic code. In the various anecdotes of the chapter, simple actions such as refusing a gift, bowing before power, abstaining from sugar, overeating, or spending a coin are transformed into ethical signs that concretize either human dignity or moral downfall. By delaying the explicit articulation of the ethical message, Saʿdi draws the reader into the process of decoding, thereby activating the hermeneutic code. Simultaneously, frequent references to religious and mystical concepts as well as proverbial expressions mobilize the cultural code, grounding meaning in the collective memory of the Iranian–Islamic society.
At the linguistic level, metaphors such as the stomach, the qibla, the shoulder, the hem of a garment, sugar, vinegar, dust, and the sword create a network of secondary connotations that shape the semantic code and elevate ethics from the level of moral advice to that of embodied and lived experience. Finally, narrative actions such as refusal, downfall, questioning, confession, and repentance function as meaning-producing acts that activate the proairetic code and determine the ethical trajectory of the narrative. Overall, Chapter Six of the Būstān can be regarded as a text in which contentment is represented as a cultural sign of freedom and human dignity, standing in opposition to greed, enslavement to desire, and the collapse of moral integrity. This chapter demonstrates that in Saʿdi’s thought, ethics is not a static doctrine but a semiotic and cultural process, produced at the intersection of narrative, body, language, and collective memory precisely in line with Barthes’ conception of the text as an “open network of codes” that transforms the reader from a recipient of messages into a producer of meaning
Conclusion
In Roland Barthes’ theory, the text is not a repository of fixed meaning but a field of play for signs, where meaning emerges from the interaction of codes, cultural structures, and the active participation of the reader, rather than from authorial intention. Based on Barthes’ five-code system, every text is a living semiotic system in which meaning is generated through tensions between opposing elements.
Within this framework, a Barthesian reading of Chapter Six of Saʿdi’s Būstān (the chapter on contentment) reveals that Saʿdi, in a pre-structuralist and responsive manner, organizes ethics not as explicit moral instruction but as a semiotic structure and a process of meaning generation. Here, meaning is shaped through symbolic oppositions such as honor/greed, poverty/wealth, and body/spirit, and moral virtue emerges from the act of reading and decoding rather than from the direct reception of a message.
By activating symbolic, cultural, semantic, hermeneutic, and proairetic codes, Saʿdi transforms language into a domain of ethical reflection and elevates ethics from prescription to signification. Consequently, Chapter Six functions as an open text, in which meaning remains fluid and dependent on interpretation. In this transition, the Būstān moves from sermon-based ethics to semiotic ethics an ethics in which meaning is not stated but generated through the interaction of signs, and the reader is transformed from a consumer of moral advice into a producer of meaning. This reading demonstrates that Saʿdi grounds ethics in the unity of language and signification, thereby turning the Būstān into a linguistic apparatus for the production of ethical meaning.

کلیدواژه‌ها [English]

  • semiotics
  • contrast
  • Saadi's Būstān
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