نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشیار گروه زبان و ادبیات فارسی دانشگاه زابل
2 دانشجوی کارشناسی ارشد دانشگاه زابل
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Tzvetan Todorov, the prominent Bulgarian-French theorist, conceptualized narratology as a branch of structuralism and articulated it through three interrelated dimensions: syntactic, verbal, and semantic. In the Masnavi-ye Maʿnavi, Rumi elaborates mystical concepts through allegorical narratives whose structural organization significantly contributes to meaning . The story “Ān Ranjūr ke Ṭabīb dar ū Omīd-e Ṣeḥḥat Nadīd” from Book Six presents a narrative structured around the opposition between the sick man and the Sufi. The transformation of characters and the causal chain of events provide a suitable framework for structural analysis. This study adopts a descriptive-analytical approach to examine how the syntactic, verbal, and semantic dimensions of the story are organized according to Todorov’s narrative theory and how causal relations shape both the mode of the ethical implications of the text.
The findings demonstrate that, at the syntactic level, the narrative is structured around two principal sequences comprising ten minimal propositions (six descriptive and four functional), and through contrastive embedding it preserves the five-stage equilibrium cycle without disruption. At the verbal level, the predominance of the indicative mood (70.3%), linear temporality, scene-oriented duration, the frequency of monologic discourse, an external omniscient point of view, and a subtly ironic tone collectively mechanize the process . At the semantic level, binary oppositions—such as will/order, good/evil, justice/oppression, and appearance/ the deeper layer of meaning and elevate misinterpretation from a mere narrative incident to an instrument of divine judgment. The interaction of these three dimensions transforms misinterpretation into a meaningful structural mechanism that articulates divine wisdom.
کلیدواژهها [English]
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