نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکتری زبان و ادبیات فارسی در دانشگاه بوعلی سینا. همدان
2 عضو هیئت علمی گروه زبان و ادبیات فارسی، دانشکده علوم انسانی دانشگاه بوعلی سینا همدان ایران
3 گروه زبان و ادبیات فارسی دانشکده ادبیات و زبان ها دانشگاه اراک ایران
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
"Ruzbihan Baqli Shirazi," in the mid-sixth century AH, presents an image of "Hallaj" in his Sharh al-Shathiyyat (Commentary on Ecstatic Sayings) that embodies multiple components of "Illuminationist" (Ishraqi) thought. Sheikh al-Shathiyyat, in analyzing Hallaj's ideas and ecstatic utterances, adopts principles such as the unity of existence (wahdat al-wujud), the primacy of mystical intuition, adherence to ancient and arcane wisdom, the concept of divine love, and the hierarchy of light as his framework. Contrary to certain negative assumptions or prevalent biases among prominent Sufi figures of his time, Ruzbihan engages in profound hermeneutical interpretation and praise of Hallaj and his ideas. Illuminationist thought is evident in the Sharh al-Shathiyyat, even though Ruzbihan was a contemporary of the founder of Illuminationist philosophy, "the Martyred Suhrawardi," with no recorded interaction between the two. Moreover, in the genealogy of Illuminationist wisdom, Ruzbihan's name and works are seldom mentioned. Thus, this study examines the elements that can be considered manifestations of Illuminationist thought in Ruzbihan's interpretations of Hallaj's ecstatic sayings, demonstrating that Illuminationist ideas existed in various forms among Iranians before being systematized by Suhrawardi. Within this framework, "Ruzbihan's Romantic Sufism" emerges as one of its influenced manifestations—a phenomenon most vividly embodied in the portrait Ruzbihan paints of Hallaj and his teachings.
کلیدواژهها [English]
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