نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشگاه شاهد، تهران، ایران
2 گروه زبان و ادبیات فارسی، واحد نجف آباد، دانشگاه آزاد اسلامی، نجف آباد، ایران.
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
This article provides an in-depth analysis of grotesque elements in selected stories from Haft Peykar by Nezami. Focusing on stories such as Bahram and the Chinese Handmaid, the Red-robed Princess, the Black-clad King, the Good and Evil Legend, and Mahan Hooshyar. This research also examines the different ways in which grotesque is used to create dramatic tension and display human dualities, and argues that grotesque in Haft Peykar functions not only as a technique for creating a sense of humor and wonder, but also as a tool for social and philosophical criticism. The method of this research is qualitative content analysis of thematic type, and the findings of the research show that Nezami, by combining contrasting elements such as beauty and ugliness, love and death, goodness and evil, invites the reader to think deeply and reflect on the nature of man and his existential challenges. Exaggerated characters, magical and abstract spaces, paradoxical situations and ambiguous symbols all contribute to the creation of a grotesque atmosphere and dramatic conflicts and tensions, each of which can be a reflection of the complexities of real life. Furthermore, the analysis of the stories suggests that the grotesque in Haft Peykar not only represents individual challenges, but also reveals broader dimensions of social and philosophical issues. The concepts of embodiment, magic and fantasy elements also give this work a profound and thought-provoking dimension.
کلیدواژهها [English]
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